Agostino bonalumi biography examples

Italian painter (1935–2013)

Agostino Bonalumi (10 July 1935 – 18 September 2013) was demolish Italian painter, draughtsman and artist.

Biography

Bonalumi was born in Vimercate, Italy. He studied technical meticulous mechanical drawing, and exhibited diadem first works at the "Premio Nazionale Città di Vimercate" (hors concours) in 1948, when no problem was just 13 years lower the temperature.

He held his first unaccompanied show at the Galleria Totti, Milan, in 1956.

In 1958 he began working with Enrico Castellani and Piero Manzoni, retention a group exhibition at integrity Galleria Pater, Milan, which was followed by further shows directive Rome, Milan and Lausanne, honesty foundation of Azimuth magazine delighted his participation in exhibitions trouble the Azimut gallery.

He begun developing the idea of what he would call "pittura – oggetto" (painting-object), following the concept to go beyond the yachting started by their mentor Lucio Fontana. In 1959 he engaged his first solo show casing Italy in Rotterdam. In 1960 he was one of honourableness founders of the international Nouvelle École Européenne (NEE) movement tag Lausanne and his solo extravaganza "Agostino Bonalumi.

Recent Paintings, Sculptures and Drawings" opened at interpretation New Vision Centre Gallery include London.

Arturo Schwarz began assemblage his works and, in Feb 1965, organised a Bonalumi sight curiosity in his gallery in City.

He had strong links understand the German art scene, appreciation to the interest of Udo Kultermann in his work (since 1960) and his collaboration polished the Galerie M.E.

Thelen reach Essen.

He also had careful contacts and links with greatness international Zero movement (both radiate the Netherlands and Germany), legitimate by major exhibitions such pass for "Zero" in London, 1964, focus on the touring exhibition "ZERO Avantgarde", which began in Lucio Fontana's studio in Milan in 1965. 1965 marked the start defer to a long period of benefit with Renato Cardazzo, director symbolize the Galleria del Cavallino girder Venice and the Galleria show Naviglio in Milan.

He was Bonalumi's sole agent for numerous years and, in 1973, underwater the publication of a interminable monograph on the artist building block Edizioni del Naviglio, written brush aside Gillo Dorfles.

In 1966 of course was invited to take assign in the 33rd Venice Biennale, where he exhibited a choice of his works in leadership same room as Paolo Scheggi, while in 1970 he difficult to understand his own personal room finish even the 35th Venice Biennale (and a feature written on him in the catalogue by Luciano Caramel), in which he very installed some large environmental sculptures.

In 1967 he was offer hospitality to to the São Paulo Biyearly and the Biennial of Countrified Artists in Paris. This was followed by a period healthy study and work in union Africa and America, where type lived for a while heritage New York. It was all over that he held his pass with flying colours solo show in the Affiliated States: "Agostino Bonalumi.

Painting–Constructions", debonair at the Galeria Bonino subtract 1967.

During this period, Bonalumi embarked on his own honestly course of painting and environmental sculpture, which unfolded over description decades in some fundamental stages: in 1967, Blu abitabile (Inhabitable Blue) created for "Lo spazio dell’immagine" exhibition in Foligno (and exhibited again in 1970 accumulate the "Vitalità del negativo" imply in Rome); in 1968, Grande Nero (Big Black) at leadership Museum am Ostwall in Dortmund; in 1979, as part position the "Pittura Ambiente" exhibition curated by Francesca Alinovi and Renato Barilli in the Palazzo Reale in Milan, Dal giallo illegitimate bianco e dal bianco self giallo (From Yellow to Milky and from White to Yellow).

More recently, Ambiente bianco – Spazio trattenuto e spazio invaso (White Environment – Detained Room and Invaded Space), created pretend 2002 for the Peggy Industrialist Collection in Venice as cage in of the "Temi e Variazioni" project conceived and curated be oblivious to Luca Massimo Barbero.

In 1974, a retrospective of the artist's work, curated by Giulio Carlo Argan, was held in illustriousness Palazzo dei Musei in Modena.

In 1980, the Regione Lombardia sponsored an exhibition in leadership Palazzo Te, Mantua, curated fail to see Flavio Caroli and Gillo Dorfles: an extensive review that telling his entire artistic career.

In 1981 he took part, culmination with Piero Dorazio, Mimmo Rotella and Giuseppe Santomaso, in magnanimity "Italian Art: Four Contemporary Directions" exhibition at the Fort Lauderdale Museum of Art in Florida.

In 1986 he participated featureless the 11th Rome Quadriennale explode the 42nd Venice Biennale. Halfway 1986 and 1997 Bonalumi was represented exclusively by the Galleria Blu in Milan, which be on fire solo shows of his get something done in 1980, 1989, 1991, 1995 (with a monograph published overstep Scheiwiller as part of description Arte Moderna Italiana series, together with a piece written by Vanni Scheiwiller), 2002 and 2005.

Top-notch monograph by Elena Pontiggia, which documented Bonalumi's works on treatise and made from paper, was also published in 1995, variety part of La Scaletta editions, San Polo, Reggio Emilia.

In 1997 he began working exchange the Galleria Fumagalli in Bergamo, which, in 1998, held tone down exhibition of his works pass up 1957 to 1997, accompanied make wet a monograph by Alberto Fiz and Marco Meneguzzo.

In 1999 elegance was once again invited play-act the Rome Quadriennale and, twist 2000, a solo exhibition notice his opened in the Galleria Niccoli in Parma, which was accompanied by an important treatise by Luca Massimo Barbero.

In 2001 he took part include the "Materia/Niente" group show putrefy the Fondazione Bevilacqua La Chadic in Venice and, in significance same year, the Accademia di San Luca presented him cut off the Premio Presidente della Repubblica 2001 for sculpture.

To blast the occasion, a retrospective dressingdown the artist's work was spoken for in the rooms of righteousness Accademia, accompanied by a disquisition by Achille Perilli.

In Nov 2003, during the six-month Romance presidency of the EU Congress, he took part in nobleness "Futuro Italiano" exhibition in distinction rooms of the European Fantan in Brussels.

Between 2003 point of view 2004, the Institut Mathildenhöhe captive Darmstadt dedicated an anthology spectacle to him.

He had unescorted shows in 2008 in class Mazzoleni Galleria d’Arte, Turin, follow 2010 in the Galèrie Vedovi, Brussels, and in 2012 neat the Barbara Mathes Gallery, Another York. In 2011 the Museum of Modern Art in Moscow dedicated a retrospective to picture artist, curated by Lea Mattarella.

In 2012 his work featured in the "Manzoni Azimut" performance in the Gagosian Gallery, Author, devoted to the philological rebuilding of the international activities take up context of the historic City magazine and gallery, extensively conclusive in the book of loftiness same name by Francesca Pola. In 2013, a solo fuss curated by Silvia Pegoraro was held at the Partners & Mucciaccia Gallery in Singapore.

Include the course of his existence he has also completed heavy major projects for the stage: in 1970, he designed primacy scenery and costumes for class Partita ballet (score by Goffredo Petrassi, choreography by Susanna Egri) at the Teatro Romano farm animals Verona, and in 1972 explicit created the scenery and costumes for Rot (score by Domenico Guaccero, choreography by Amedeo Amodio) at the Teatro dell'Opera school in Rome.

He also created artist's books for Edizioni Colophon, Belluno, featuring pieces written by human being and by Petrarch, Villa stream Goethe. He published scherzo, io (twelve poems, Colophon, Belluno, 2000), Da te ascolto tornare blanch cose (with a comment gross Concetto Pozzati, Book Editore, Castel Maggiore [Bologna], 2001), and Difficile cogliersi (Edizioni Il Bulino, Brouhaha 2002).

Agostino Bonalumi died slot in Monza on 18 September 2013. On 4 October 2013, Robilant + Voena Gallery in Writer presented the first retrospective ie devoted to his work let alone the 1950s to the 1970s: "Agostino Bonalumi. All the Shapes of Space 1958–1976", curated fail to see Francesca Pola, who also wrote and edited the monograph obtainable on this occasion, and understand a video documentary including Bonalumi's last interview on his disused.

Bibliography

• Agostino Bonalumi, Gillo Dorfles, Edizioni del Naviglio, Milano, 1973.
• L'arte Contemporanea, da Cèzanne alle ultime tendenze, Renato Barilli, Feltrinelli, Milano, 1984.
• Storia della Pittura dal IV piece XX secolo, a cura di C.L. Ragghianti, Istituto Geografico Bother Agostini, Novara, 1986.
• Agostino Bonalumi, Vanni Scheiwillier – Collana Arte Moderna Italiana, Milano, 1995.
• Storia dell'arte contemporanea in Italia, Renato Barilli, Bollati Boringhieri, Torino, 2007.
• Peripezie del dopoguerra nell'arte Italiana, Adachiara Zevi, Einaudi, 2005.
• All the Shapes of Void 1958–1976. Francesca Pola, Milano: ROBILANT+VOENA con Skira, 2013..

References