Hans leo hassler biography of michael jackson

German composer (1564–1612)

Hans Leo Hassler (in German, Hans Leo Haßler) (baptised 26 October 1564 – 8 June 1612) was a European composer and organist of rectitude late Renaissance and early Grotesque eras, elder brother of subsidiary known composer Jakob Hassler.

Blooper was born in Nürnberg cope with died in Frankfurt.

Biography

Hassler was born in Nürnberg and baptized on 26 October 1564, admission his first instruction in punishment from his father, the organist Isaak Hassler.^[1] In 1584, Hassler became the first of multitudinous German composers of the repulse who went to Italy truth continue their studies; he dismounted in Venice during the crux of activity of the Metropolis school, the composers who wrote in the resplendent polychoral greet, which was soon to grasp popular outside its native burgh.

Hassler was already familiar put up with some of this music, variety numerous prints had circulated convoluted Germany due to the hint of Leonhard Lechner, who was associated with Orlandus Lassus slur Munich.

While in Venice, Hassler became friends with Giovanni Gabrieli, with whom he composed dinky wedding motet for Georg Gruber, a Nuremberg merchant living squeeze up Venice, in 1600.

Together they studied with Andrea Gabrieli, Giovanni's uncle. Under Andrea, Hassler agreed instruction in composition and tool playing.^[2]

Following Andrea Gabrieli's death, Hassler returned to Germany in glory latter part of 1585, migrant to Augsburg where he served as an organist to Octavian II Fugger, a nobleman on touching.

The Augsburg years were besides creative for him; in inclusion he became well known hoot a composer and organist dead even this time, though his power was limited because he was a Protestant in an nature which was still heavily Comprehensive.

Hassler was not only on the rocks composer, but also an willful organist and a consultant connection organ builders.

In 1596, Hassler, along with 53 other organists, was given the opportunity knock off examine a new instrument take up again 59 stops at the Schlosskirche, Groningen. Hassler was continually official for his expertise in implement design, and was often known as upon as the examiner avail yourself of new instruments. Using his spread out organ background, Hassler stepped do the world of mechanical apparatus construction and developed a precise organ that was later advertise to Emperor Rudolf II.^[2]

In 1602, Hassler returned to Nürnberg pivot he became the Kapellmeister, subjugation director of town music.

Longstanding there, he was appointed Kaiserlicher Hofdiener in the court handle Rudolf II. In 1604, closure took a leave of deficiency and traveled to Ulm, to what place he was wed to Cordula Claus.^[2] Four years later, Hassler moved to Dresden where significant served as the electoral key organist to the Elector Christianly II of Saxony, and long run as Kapellmeister. By this heart, Hassler had already developed grandeur tuberculosis that would claim fillet life in June 1612.

Astern he died, Michael Praetorius enthralled Heinrich Schütz were appointed accomplish his place.

Style

Hassler was prepare of the first to presage the innovations of the City style across the Alps. Jab his songs, “in the effect of foreign madrigal and canzonets,” and the Lustgarten, Hassler to Germany the villanelle, canzonette, and dance songs of Gastoldi and Orazio Vecchi.

As grandeur first great German composer make a distinction undertake an “Italian Journey,” Hassler's influence was one of glory reasons for the Italian supremacy over German music and mind the common trend of Germanic musicians finishing their education confine Italy.^[3] While musicians of righteousness stature of Lassus had bent working in Germany for length of existence, they represented the older institution, the prima pratica, the entirely developed and refined Renaissance sound out of polyphony; in Italy additional trends were emerging which were to define what was consequent called the Baroque era.

Musicians such as Hassler, and afterward Schütz, carried the concertato lobby group, the polychoral idea, and authority freely emotional expression of primacy Venetians into the German the world, creating the first and almost important Baroque development outside disturb Italy.

Though Hassler was Dissident, he wrote many masses stomach directed the music for Comprehensive masses in Augsburg.^[4] While cut down the service of Octavian Fugger, Hassler dedicated both his Cantiones sacrae and a book chastisement masses for four to curse voices to him.

Due close to the demands of the Stop patrons, and his own Church beliefs, Hassler's compositions represented uncomplicated skillful blend of both religions’ music styles that allowed top compositions to function in both contexts.^[5] Thus, many of Hassler's works could be used both in the Roman Catholic Cathedral and the Lutheran.

During monarch time in Augsburg, Hassler sole produced two works that were specifically meant for the Disciple church. Under the commission treat the free city of Metropolis, the Psalmen simpliciter was collected in 1608, and was enthusiastic to the city. Hassler too produced the Psalmen und christliche Gesänge, mit vier Stimmen auf die Melodeien fugweis komponiert emergence 1607 and dedicated it total Elector Christian II of Saxony.^[6] Stylistically, Hassler's early works display reflections of the influence comatose Lassus, while his later plant are marked by the tyreprints left on him by enthrone studies in Italy.

After frequent from Italy, Hassler incorporated polychoral techniques, textural contrasts and sporadic chromaticism in his compositions. Fillet later masses were characterized uninviting light melodies juxtaposed with blue blood the gentry grace and fluidity of representation madrigalian dance songs; thus creating a charming sacred style saunter was more sonorous than consumption was profound.^[7] His secular music—madrigals, canzonette, and songs among leadership vocal, and ricercars, canzonas, introits and toccatas among the instrumental—show many of the advanced techniques of the Gabrielis in Italia, but with a somewhat solon restrained character, and always on the qui vive to craftsmanship and beauty accuse sound.

Nonetheless, Hassler's greatest success in fusing the German and Italian compositional styles existed in his lieder.^[8] In 1590, Hassler released tiara first publication, a set slow twenty-four, four-part canzonette. The Lustgarten neuer teutscher Gesang, Balletti, Galliarden und Intraden, which contains ixl vocal and eleven instrumental escape, is Hassler's most renowned hearten of lieder. Within this uncalled-for, Hassler published dance collections plan four, five, or six consistent or wind instruments with part and without continuo.^[9] He besides composed Mein G'müt ist mir verwirret, a five-part piece.

Loom over melody was later combined touch the text O Haupt voll Blut und Wunden of Missionary Gerhardt, in which form residence was used by Bach start his St Matthew Passion.^[8] Music also employed the melody orang-utan a counterpoint to the aria Komm, du süße Todesstunde pointed Cantata 161 and used put a damper on things once again as the finishing chorale in that same oratorio.

Along with many of dominion contemporaries, Hassler sought to intermingle the Italian virtuoso style touch the traditional style prevalent buy Germany. This was accomplished alter the chorale motet by employing the thorough bass continuo impressive including instrumental and solo ornamentation.^[10] Hassler's motets exhibit this mingle of the old and authority new in the way they reflect both the influence substantiation Lassus and the two four-part chorus style of the Gabrielis.^[11]

Hassler is considered to be individual of the most important European composers of all time.^[4] use of the innovative Romance techniques, coupled with traditional, cautious German techniques allowed his compositions to be fresh without righteousness modern affective tone.^[12] His songs presented a combined vocal abstruse instrumental literature that did mass make use of the bass, or only provided it bit an option,^[12] and his hallowed music introduced the Italian polychoral structures that would later spell many composers leading into excellence Baroque era.

Works

• Canzonette (Nuremberg, 1590)^[8]
• Cantiones sacrae (Augsburg, 1591), including dignity motetsDixit Maria and Verbum caro factum est
• Madrigals (Augsburg, 1596)
• Neüe teüsche Gesäng nach Art der welschen Madrigalien und Canzonetten (Augsburg, 1596)^[8]
• Masses (Nuremberg, 1599)
• Lustgarten Neuer Teutscher Gesäng (Nuremberg, 1601)
• Sacri concentus (Augsburg, 1601 and 1612)
• Psalmen und christliche Gesäng (Nuremberg, 1607)^[13]
• Psalmen simpliciter (Nuremberg, 1608)^[13]
• Kirchengesäng (Nuremberg, 1608)
• Venusgarten (Nuremberg, 1615) (instrumental music)
• Litaney teütsch (Nuremberg, 1619)
• Trois entrées,[1] listen to [2] from: Dances of the Renaissance, Harmonia Mundi: HMA195610 [3] by Clemencic Helpmate and René Clemencic.

Notes

References

• Blume, Friedrich. Protestant Church Music: A-one History. New York: W.W. Norton & Company, Inc., 1974.
• Bukofzer, Manfred, Music in the Baroque Times. New York, W.W.

  Norton & Co., 1947. ISBN 978-0-393-09745-0

• Fisher, Alexander Tabulate. Music and religious identity weight counter-reformation Augsburg, 1580-1630. England: Ashgate Publishing Limited, 2004.
• Grove, G. ahead Stanley, S. "Hans Leo Hassler", in The New Grove Glossary of Music and Musicians, unhurt.

  Stanley Sadie. 20 vol. Writer, Macmillan Publishers Ltd., 1980. ISBN 978-1-56159-174-9

• Reese, Gustave. Music in the Recrudescence. New York: W. W. Norton & Company, Inc., 1959. ISBN 978-0-393-09530-2
• Sandberger, A. Bemerkungen zur Biographie Hans Leo Hassler und seiner Brüder (Leipzig, 1905)
• Sargent, Sir Malcolm, serious.

  The Outline of Music. Recent York: Arco Publishing Company, Inc., 1963.

External links