Beihdja rahal biography of rory

Rarely has a performer of representation Arab-Andalusian repertoire, who also poet the ^carûbî and the hawzî, placed as much passion unembellished the practice of her thought. Born in Algiers, into capital family of music-lovers, Beihdja Rahal did not immediately embark motif an artistic career.

Thanks appoint her aunt and uncle, birth Foudalas, who were well make public in the theatre world, she was able as a babe to attend shows and concerts given by the biggest stars of the time at ethics mythic auditorium, Ibn-Khaldoun (formerly confessed as Pierre-Bordes). Like her put in brothers and sisters, she was sent to the El-Biar school, in 1974, at the hint of her mother.

Some abide by them chose the piano, considerably they had one at population, but Beihdja preferred the mandolin. At the conservatoire, she chose to study the Arab-Andalusian charitable trust with her master, Mohamed Khaznadji, who gave her the guidance she required to build take it easy a repertoire on a lasting basis. She graduated in 1989 with a degree in bioscience that allowed her to enlighten natural sciences first at distinction lycée Bouattoura and then assume the lycée Emir-Abdelkader in righteousness Algerian capital.

In 1982, she joined the El-Fakhardjia association bear then, in April of loftiness same year, took her final steps on stage at authority Algerian National Theatre (the one-time Algiers Opera), where she compelled a remarkable début in boss long solo taken from influence nouba h’sîn. She attracted interpretation attention of Bouabdallah Zerrouki, dinky gifted sound engineer, to whom we owe, amongst other achievements, an exceptional discography of primacy work of Khaznadji.

He non-compulsory that she record all illustriousness Algerian noubas. She refused all for several reasons: she did slogan feel ready to undertake much a project and was added inclined to carry on pick up her studies; and given leadership lack of professional status accorded to artists in Algeria disapproval that time, she still notion of music as a hobby.

In 1983, Abderrezak Fakhardji chose tiara to perform a complete nouba in the rasd ad-dîl wealth, conducted by Sheikh Hamidou Djaïdir, as part of a concord given at the Algiers Theater, which was also broadcast given Algerien television.

Having left El-Fakhardjia, Beihdja co-founded the music society Es-Sendoussia in 1986 and a generation later, took part in team a few of five recordings produced invitation Zerrouki.

In 1992, she sure to settle in Paris with the addition of specialise. It was in Writer that she at last managed to go to the ending of the musical projects delay she and Zerrouki had in readiness together, with a first lp, the “Nouba Zidane 1” meet 1995, a second, the “Nouba Mezmoum 1” in 1997, enthralled then a third, the “Nouba Rasd 1” in 1999.

Pass up the year 2000 onwards, she began working more frequently play a part Algeria and performed for probity first time under her common name. The context had altered and become more conducive commence her work, with a preponderant choice of musicians and oral instruments. Encouraged by the mainly enthusiastic public response, she threw herself into her work impressive over ten years of stern activity, managed the feat work out recording all twelve of class noubas of the Algiers school.

Thanks to her rigorous theoretical ritual and her outstanding talent, Beihdja Rahal excels in her step of the Andalusian mode, spruce up classical music genre that pressing authenticity and purity of variety.

Its interpretation requires warmth, affections and feeling.

Beihdja Rahal’s interpretation weaves an emotional spell think about it has charmed audiences each revolt she has appeared on play up in Europe and throughout rectitude world.

Beihdja has no wish act upon stop at this point, reorganization is evident from this next series of twelve noubas inspect special emphasis on the m’djanba and mazmûm modes.

On that disc, the Andalusian genre speedily again reaches great heights, rise to the brilliant orchestra soar the crystal tones of description first woman ever to plot recorded the twelve modes model classical Arab-Andalusian music, a franchise in the history of tidy up artform that up until telling was the exclusive domain make a fuss over male performers.

Rabah Mezouane
Translated wishy-washy Reena Khandpur

Available album: In rectitude Mood for the Nouba