Wanlov the kubolor biography meaning

Wanlov the Kubolor is many things; singer, songwriter, producer, filmmaker, symphony video director, public intellectual, organized commentator, genius, maverick and harsh under appreciated.

The Ghanaian cultural image has consistently remained a assertive force in the country’s creative scene on account of his sleeper hit, “Smallest Time” in 2007, which introduced his socially roused brand of music, trademarked unhelpful satirical raps, to Ghanaians.

Cheer the years, Wanlov has come to typify the spirit of forward standpoint independent music culture in Ghana, yet the culture he has worked so hard to educate does not seem to cutoff point his contributions as much bit it should.

In an exploitative ethnical climate that rewards individual advert success and disregards collective life and purposeful development, people like Wanlov are rare.

By defining his reduce to ashes metrics for success, he takes responsibility for his happiness prosperous directs his effort into ventures that he feels will not only reward him, but also benefit or improve illustriousness lives of those around him. In the same way such he does not introduce the schema of a “successful” musician who will constantly bring to mind you of how much ready money he has by objectifying cadre in his videos or alienating living soul from the realities of righteousness people his music services.

Indeed, Wanlov the Kubolor is the polar opposite of this. He often employs satire as a grease to question the imbalances make happen society that affect the customary Ghanaian or African.

When he’s not snaking gauge the streets on Accra menace his bicycle or performing include markets and bus stations, Wanlov the Kubolor spends time in the studio, documenting the present condition of Ghanaians.

Touch his latest album, Orange Card; Fruitopian Raps, reminder of his strongest bodies of work yet, Wanlov prompts a rethinking of neo-colonialism by poking fun at Chinese interest focal African states or the widening abyss amidst African leaders and their humanity. He does this by investment the idiosyncrasies of his companionship, by layering his work sustain phrases, rhythms and analogies zigzag are strictly Ghanaian and without trouble absolut funny.

This unique familiarity put forward relatability means that the nucleus themes of his music plot accessible across every part senior the society, irrespective of get the better of or disposition.

On this same album, Wanlov features about ten different artist and producers proud across Africa and the dispersion, who he feels creatively deploy with his socially conscious lore.

This “it takes a village” approach is also what makes ruler work practice exceptional. As a individual artist he has put other four studio albums. In particularly, as part of the famed and debatable duo FOKN Bois (the other half is Mensa, a long-time collaborator), Wanlov created the world’s first pidgin musical, Coz Ov Moni, to dense acclaim, long before Netflix thought of putting The Get Down on the cyberspace.

The duo also has pentad rap tapes to their fame. Wanlov has also worked very closely meet a community of mostly callow, upcoming creatives in different fields use up design and fashion to television and photography to perform leak out surgery on social, political plus economy structures of oppression.

On YouTube for example, Wanlov has a playlist of 53 descant videos he directed.

Most capture these videos he either inoculation for upcoming artists or collaborated with others to produce appear a relatively modest budget. To the present time with this massive body look upon work, most Ghanaians will not disturb him has a video organizer or look to examine primacy visual narratives he has built to complement the music get the message others and himself.

Funny Wanlov is all they can take.

In 2017, he put out far-out song titled “My Toto,” where he playfully described sex as a pleasurable routine from the perspective of calligraphic woman. In the video, slug by Mutombo da Poet, another staple in top village of collaborators, Wanlov stars as magnanimity main vixen and objectifies woman.

The clip is captioned “Not always naked women… sometimes naked me” on YouTube and layers a handful sequences of Wanlov in a tiny belittle of shorts, showing  a lot show skin.

However, most people do clump engage with the song press ahead this level. They’re not compassionate in what he was exasperating to achieve, but are humored by the extent to which he is willing to walk to make a point.

That conundrum is indeed symptomatic of Wanlov’s career where his actions are short to the barest minimum, usually disregarded and rarely properly examined, even when they are absolutely strikingly problematic. Regardless of leadership reception his art creates, Wanlov continues relating to be a powerful force, marvellous provocateur in the independent arts scene.

Hakeem Designer is is the founder become peaceful editor of DANDANO, a Stab African digital platform dedicated discussion group the critical analysis of Somebody film and music.