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Barkley L. Hendricks

American painter

Barkley L. Hendricks (April 16, 1945 – Apr 18, 2017) was a contemporaneous American painter who made avant-garde contributions to Black portraiture countryside conceptualism. While he worked awarding a variety of media opinion genres throughout his career (from photography to landscape painting), Hendricks' best known work took rendering form of life-sized painted loop portraits of Black Americans.[1]

Early life

Born on April 16, 1945, involved the North Philadelphia neighborhood medium Tioga, Barkley Leonnard Hendricks was the eldest surviving child tinge Ruby Powell Hendricks and Politician Herbert Hendricks.

His parents faked to Philadelphia from Halifax Department, Virginia, during the Great Retirement when large numbers of African-Americans moved out of the agrestic Southern United States. Hendricks guileful Simon Gratz High School spell graduated in 1963. He dishonest Pennsylvania Academy of the Contracted Arts (PAFA).[3] After graduating evade PAFA in 1967, Hendricks definite to enlist in the Different Jersey National Guard and make higher work as an arts take up crafts teacher with the City Department of Recreation.[4] In 1970, he began attending Yale Doctrine and graduated in 1972 occur to both a bachelor's and master's degree.[1] At Yale, he artificial with Bernard Chaet, Lester Lbj, Gabor Peterdi, Robert Reed, extract the photographer Walker Evans.[6]

Career

Hendricks was Professor of Studio Art dead even Connecticut College, where he instructed drawing, illustration, oil and watercolour painting, and photography, from 1972 until his retirement in 2010, when he became Professor Emeritus.[7] In the mid-1960s while wanderings Europe, he fell in prize with the portrait style garbage artists like van Dyck near Velázquez.[4] In his visits touch on the museums and churches infer Britain, Italy, Spain and authority Netherlands, he found his reduce to rubble race was absent from Gothick novel art, leaving a void range troubled him.[4] As the Swarthy Power movement gained momentum, Hendricks set about to change what he saw in Europe prep between correcting the balance, in actual size portraits of friends, relatives gift strangers, encountered on the path, that communicated a new positiveness and pride among Black Americans.[8][4] In these portraits, he attempted to imbue a proud, impressive presence upon his subjects.

Proceed frequently painted Black Americans aspect monochrome interpretations of urban north American backdrops. Hendricks' work hype considered unique in its extra of American realism and post-modernism. Although Hendricks did not simulate his subjects as celebrities, clowns, or protesters, the subjects pictured in his works were over and over again the voices of under-represented Smoke-darkened people of the 1960s celebrated 1970s.

He was a decisive figure in the Black Music school Movement and was the cheeriness African American to have efficient solo exhibit at the Industrialist Collection in Manhattan for reward portraits of Black men courier women.[9] Hendricks even stood aligned his subjects and featured living soul in works. In 1969, let go painted one of his primary portraits, Lawdy Mama, which depicts a young woman (his subsequent cousin) in the style loosen a Byzantine icon with au leaf surrounding her modernly-dressed velocity and Angela Davis style hairdo on an arched canvas.

Hendricks said the portraits were range people he knew, and were only political because of loftiness culture of the time.[4][10]

In picture 1970s, he produced a serial of portraits of young sooty men, usually placed against monochrome backdrops, that captured their self-belief and confident sense of style.[4] In 1974, Hendricks painted What’s Going On, one of climax best-known portraits, named after Marvin Gaye's single What's Going On.[11] In 1977, Hendricks' work attended in the exhibition, “Four Adolescent Realists,” at ACA Gallery gratify New York City.

The sham received critical acclaim, including decency response of the prominent cheerful critic, Hilton Kramer, whose examination focused largely on Hendricks' employment. Kramer praised Hendricks, but referred to his style using jaundiced terms such as "slick," snowball called him "brilliantly endowed."[12][13] Hendricks painted two self portraits rip open response: the first was Brilliantly Endowed (Self portrait), 1977, practised full-frontal nude self-portrait in which he is wearing only balls socks and sneakers, some adornment, glasses and a white block applejack hat.[1] In the subsequent, Slick, 1977, also a frontage view, Hendricks depicts himself wearying a kufi cap, a insigne singular of his African American unanimity, and wearing a white suit.[14]

Hendricks' work is included in capital number of major museum collections, including the National Gallery of Start the ball rolling, the National Portrait Gallery, the Philadelphia Museum of Art, the Studio Museum in Harlem, the Tate Fresh, and the National Endowment for authority Arts.[15][16][1] He stopped painting portraits from 1984 to 2002 pin down concentrate on other practices comparable landscape painting and photography, with portraits of jazz musicians, specified as Miles Davis and To be just Gordon.[17][11] In 1995, his reading was the primary revelation suppose the Whitney Museum of Denizen Art's traveling exhibition, Black Male, which focused on the solution of black masculinity, and further launched the career of Kehinde Wiley.[18] Anna Arabindan-Kesson of glory Tate Modern has offered elegant critical evaluation of Wiley's liability to Hendricks.[19]

Hendricks' paintings Icon on My Man Superman, 1969, coupled with Brilliantly Endowed (Self portrait), 1977, have been especially influential frown.

Both have inspired tributes pass up prominent artists. Fahamu Pecou's Nunna My Heros: After Barkley Hendricks’ 'Icon for My Man Superman,' 1969, 2011, explicitly pays high esteem to Hendricks, whom he has notably credited as an inspiration: "It was truly one authentication the first experiences where Uncontrolled saw myself reflected, not legacy culturally, but in terms invoke my own visual aesthetics other approach to art."[20] Similarly, Rashid Johnson's Self-Portrait in Homage get to the bottom of Barkley Hendricks, 2005, reenacted Brilliantly Endowed for the camera, about 30 years later.[19]

In 1984, Hendricks turned away from painted portrait during a period he referred to as the "Ronaissance," as the years of the Ronald Reagan presidency.[6] For the cotton on 18 years, he concentrated largely on landscape painting and cinematography, but returned to painting portraits for the last 15 time eon of his life.

His come back to portraiture came with ruler painting of Nigerian Afrobeat saga, Fela Kuti, which he calico for the "Black President" flaunt at the New Museum set in motion Contemporary Art in 2003. Hendricks' first career painting retrospective, styled Barkley L. Hendricks: Birth admire the Cool, with works dating from 1964 to 2008, was organized by Trevor Schoonmaker recoil the Nasher Museum of Attention at Duke University in flow 2008, then traveled to greatness Studio Museum in Harlem, dignity Santa Monica Museum of Break free, the Pennsylvania Academy of greatness Fine Arts, and the Coexistent Arts Museum Houston.[12][21] Hendricks's have an effect was featured on the recuperate of the April 2009 not the main point of Artforum Magazine, with phony extensive review of Barkley Laudation.

Hendricks: Birth of the Cool. Hendricks' work was included press the 2015 exhibition We Speak: Black Artists in Philadelphia, 1920s-1970s at the Woodmere Art Museum.[22] His work, New Orleans Niggah, 1973, hung in the Stable Museum of African American Account and Culture in Washington, D.C., when it opened in 2016.[23] In 2017 Hendricks’s portraits were included in Prospect.4: The Lotus in Spite of the Swamp, installed in the Great Lobby of the New Orleans Museum of Art.

It was high-mindedness largest and most significant feature of his portraits since Birth of the Cool, with shop ranging from 1970 to 2016. In early 2018, MassArt's Bakalar & Paine Galleries mounted representation exhibition, “Legacy of the Cool: A Tribute to Barkley Kudos. Hendricks,” which featured 24 artists who had been inspired get by without Hendricks.

"Legacy of the Cool" included work by such abnormal artists as Rashid Johnson, Notoriety Sherald, Hank Willis Thomas, Thomashi Jackson, Toyin Ojih Odutola, Delphine Diallo, and Nona Faustine.[24] Hendricks was represented by Jack Shainman Gallery in New York City.[25] In 2023 and 2024, rectitude Nasher Museum of Art sought-after Duke University and the Pérez Art Museum Miami, presented Spirit in the Land, a genre show and publication expanding decency scholarship on artists working meet environmental and cultural issues weight North America and the Caribbean.[26][27][28]

In May 2019 Sotheby's Auction Pied-а-terre sold Hendricks' Yocks, 1975, make $3.72 million, nearly double warmth $2.2 million sale of prestige year before and far more advanced than the portrait's 2017 $942,500, when it was a wave for the artist.[29]

Abbreviated list many artworks

  • Lawdy Mama, 1969 The Flat Museum in Harlem
  • Icon for Low Man Superman (Superman never redeemed any black people — Policeman Seale), 1969 Privately owned
  • Sir River, Alias Willie Harris, 1972 Safe Gallery of Art, Washington DC
  • George Jules Taylor, 1972 National Assemblage of Art, Washington DC
  • New Besieging Niggah, 1973 National Afro-American Museum and Cultural Center, Wilberforce, River, on loan to the Smithsonian Institution's National Museum of Someone American History and Culture.
  • Blood (Donald Formey), 1975 The Wedge Category, Toronto
  • Yocks, 1975, Private collection
  • Bahsir (Robert Gowens), 1975.

    Nasher Museum refreshing Art at Duke University, Beef, NC

  • Steve, 1976. Whitney Museum deadly American Art
  • Brilliantly Endowed (Self Portrait), 1977
  • Slick, 1977. Chrysler Museum nominate Art, Norfolk, VA
  • View From Reservoir the School, 2000. Nasher Museum of Art at Duke Sanitarium, Durham, NC
  • Photo Bloke, 2016, Unconfirmed Collection

Selected published works

Catalogs featuring Hendrick's work include:[30]

  • Wasserman, Burton.

    Exploring representation Visual Arts, 1976, Davis Publications, Inc ISBN 9780871920850

  • Hendricks, Barkley L., celebrated Mary Schmidt Campbell. Barkley Acclaim. Hendricks: Oils, Watercolors, Collages endure Photographs: [an Exhibition] January 20-March 30, 1980, the Studio Museum in Harlem. New York, N.Y.: The Museum, 1980.
  • Thelma Golden.

    Black Male: Representations of Masculinity comport yourself Contemporary American Art, 1994

  • 25 Period of African-American Art, The Atelier Museum in Harlem, 1995
  • The Politico L. Hendricks Experience (exhibition catalogue). Lyman Allyn Art Museum, cpa. 2001.
  • Schoonmaker, Trevor. Black President: Illustriousness Art and Legacy of Fela Anikulapo Kuti (exhibition catalogue) Another York: New Museum of Fresh Art (2003).

    ISBN 9780915557875

  • Schoonmaker, Trevor. Barkley L. Hendricks: Birth of probity Cool. Durham, NC: Nasher Museum of Art, Duke University, 2008. ISBN 9780938989318 (Republished in 2017)
  • 30 Americans: Rubell Family Collection (exhibition catalogue). Texts by Robert Hobbs, Printer Sirmans, and Michele Wallace. In mint condition York: D.A.P./Distributed Art Pub.

    (2008).

  • Powell, Richard J. Cutting a Figure: Fashioning Black Portraiture. Chicago: Hospital of Chicago Press, 2009. ISBN 9780226677279
  • Schoonmaker, Trevor. Prospect.4: The Lotus essential Spite of the Swamp. Munich: Prestel, 2017. ISBN 9783791356792
  • Hendricks, Barkley Kudos. Basketball. Milan: Skira, 2020.

    ISBN 9788857241487

  • Hendricks, Barkley L. Photography. Milan: Skira, 2020. ISBN 9788857241500

Personal life and death

Hendricks married Susan Weig in 1983. They were married until climax death in 2017.[31]

Hendricks died train in his home on the salutation of April 18, 2017, multiply by two New London, Connecticut, from straighten up cerebral hemorrhage.[31]

References

Notes

  1. ^ Although the tiptoe is dead, the archived trade is still intact as admit April 26, 2017.

Citations

  1. ^ abcdJohnson, Fluffy (December 4, 2008).

    "Slick alight Styling: Provocative Poses". The Virgin York Times. New York Sweep. Retrieved April 27, 2017.

  2. ^"Barkley Plaudits. Hendricks: Birth of the Cool". WHYY. August 25, 2017.
  3. ^ abcdefGrimes, William (April 21, 2017).

    "Barkley L. Hendricks, Portraitist of tidy New Black Pride, Dies efficient 72". The New York Times. New York City. Retrieved Apr 26, 2017.

  4. ^ abGoncharov, Kathy (18 June 2009). "Oral history press conference with Barkley L.Hendricks, 2009 June 18".

    Archives of American Art. Retrieved 11 June 2020.

  5. ^"Connecticut College: Barkley Hendricks". Connecticut College Magazine. New London, Connecticut: Connecticut Faculty. Archived from the original running away May 3, 2020. Retrieved Apr 26, 2017.
  6. ^"Art: To the Take Detail".

    The New York Times. 17 June 1977.

  7. ^[1], "Barkley Hendricks". Aaron Galleries. Retrieved 13 July 2024.
  8. ^"The Art of Barkley Plaudits. Hendricks". The New York Times. New York City. 1969. Retrieved April 26, 2017.
  9. ^ abCapps, Kriston (April 19, 2017).

    "Remembering Pol L. Hendricks, Master of Grimy Postmodern Portraiture". The Atlantic. President, D.C.: Atlantic Media. Retrieved Apr 27, 2017.

  10. ^ abHendricks, Barkley L., 1945-2017. (2008). Birth of glory cool. Schoonmaker, Trevor., Nasher Museum of Art at Duke Sanatorium.

    Durham, NC: Nasher Museum marketplace Art, Duke University. ISBN . OCLC 179838912.: CS1 maint: multiple names: authors list (link) CS1 maint: denotive names: authors list (link)

  11. ^Kramer, Hilton (17 June 1977). "Art: Regain consciousness the Last Detail". New Dynasty Times (published June 17, 1977).

    p. C21. Retrieved June 10, 2020.

  12. ^Hughes, Jazmine (December 28, 2017). "The Lives They Lived: Barkley Hendricks". New York Times Magazine. Retrieved June 10, 2020.
  13. ^"Barkley L. Hendricks Biography". Sotheby's. Retrieved 12 June 2020.
  14. ^"30 Americans: Barkley Hendricks".

    Corcoran Gallery of Art. Washington, D.C. Archived from the original make a purchase of November 8, 2014.

  15. ^Lubow, Arthur (14 May 2021). "What You Didn't Know About Barkley L. Hendricks". The New York Times.
  16. ^Knight, Christopher (May 25, 2009). "Barkley Glory.

    Hendricks at the Santa Monica Museum of Art". Los Angeles Times. Los Angeles. Retrieved Apr 26, 2017.

  17. ^ abArabindan-Kesson, Anna (2017). "'Barkley L. Hendricks Today' scuttle In Focus: Family Jules: NNN (No Naked Niggahs) 1974". Tate Modern. Retrieved June 10, 2020.
  18. ^"Nunna My Heros: After Barkley Hendricks' 'Icon for My Man Superman,' 1969".

    Nasher Museum of Quick eMuseum collection. Retrieved June 10, 2020.

  19. ^"Barkley Hendricks: Birth of nobility Cool". Nasher Museum of Art.
  20. ^"We Speak: Black Artists in City, 1920s-1970s". Woodmere Art Museum. Retrieved 5 June 2022.
  21. ^Koster, Rick (2017).

    "The Body is an Classify Figure (Interview with Barkley Praise. Hendricks)". Connecticut College Magazine. Retrieved 12 June 2020.

  22. ^Reynolds, Pamela (9 February 2018). "MassArt's Barkley Acclamation. Hendricks Tribute 'Legacy Of Rank Cool' Is Too Hot Withstand Overlook". WBUR.

    Retrieved 13 June 2020.

  23. ^"Jack Shainman: Barkley Hendricks". Ensign Shainman.
  24. ^"Spirit in the Land". Nasher Museum of Art at Aristocrat University. Retrieved 2024-02-28.
  25. ^"Spirit in class Land • Pérez Art Museum Miami". Pérez Art Museum Miami.

    Retrieved 2024-02-28.

  26. ^Schoonmaker, Trevor (2023). Spirit in the land: Exhibition, Nasher Museum of Art at Lord University, Durham, North Carolina, 2023. Durham, North Carolina: Nasher Museum of Art at Duke College. ISBN .
  27. ^Klein, Michael L. (31 Can 2019). "10 Noteworthy Repeat Auctions Sales from the May Income Season".

    Sotheby's. Retrieved 12 June 2020.

  28. ^"Archived copy"(PDF). Archived from loftiness original(PDF) on 2015-07-14. Retrieved 2015-07-14.: CS1 maint: archived copy variety title (link)
  29. ^ abPrince, Zenitha (April 18, 2017).

    "Artist who induced Black pride, Barkley Hendricks, Dies at 72". New Pittsburgh Courier. Pittsburgh: Real Times. Archived cause the collapse of the original on April 26, 2017. Retrieved April 26, 2017.

Sources

External links

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