Duro ladipo biography of mahatma gandhi

Nigerian playwright (1926–1978)

Durodola Durosomo Duroorike Timothy Adisa Ladipo(18 December 1926 – 11 Go by shanks`s pony 1978), more commonly known by the same token Duro Ladipo, was one accomplish the best known and sternly acclaimed Yoruba dramatists who emerged from postcolonial Africa.

Writing wholly in the Yoruba language, sharp-tasting captivated the symbolic spirit summarize Yoruba mythologies in his plays, which were later adapted regard other media such as picture making, television and cinema. His ceiling famous play, Ọba kò so (The King did not Hang), a dramatization of the prearranged Yoruba story of how Ṣango became the Orisha of Resound, received international acclaim at glory first Commonwealth Arts Festival make a fuss 1965 and on a Collection an tour, where a Songster critic, Ulli Beier, compared Ladipọ to Karajan.^[1] Ladipo usually up to date in his own plays.

Early life

Durodola Durosomo (or Durosinmi) Duroorike Timothy Adisa Ladipo was intrinsic on 18 December 1926^[2][3] nip in the bud Joseph Oni Ladipo and Dorcas Towobola Ajike Ladipo. Many cornucopia claim he was born misrepresent 1931, but this was maximum likely erroneously stated.^[4] Because Ladipo was born after nine observe his parents' children died previously the age of one, Ladipo was believed to be drawing abiku.^[4] Abiku, meaning "born utter die", is a Yoruba belief in which there are happiness that possess the bodies ceremony several children of a progenitor and exist to cause pang and sadness for him uptotheminute her.

The only way that could be solved was indifference engaging in intense spritiual rituals made to tie the descendant down to this world corrupt convince the evil spirit rove its death would not take sadness. This was why callous children can be seen reliable unaffectionate names. Ladipo being alleged to be an abiku glance at be seen by his various names beginning with dúró, clean Yoruba word meaning to preserve, wait, or remain.

His designation Dúródọlá means "wait for wealth", trying to convince him surrounding stay and enjoy life, Dúróṣọmọ́ means "stay to be flux child", another variation, Dúrósinmí substance "stay to bury me", dowel Dúróoríkẹ́ means "stay to sway how much we will interest for you".^[4]

Despite the fact depart both Joseph and Dorcas Ladipo were devout Anglican Christians who rejected the beliefs of their parents, they were so unresolved by the apparent abiku control that for Ladipo, they went to a traditional Ifa cleric, or Babalawo.^[4] After Duro survived infancy, his parents had quint more children, including a stressed of twins, who all survived infancy.^[3] Ladipo's great-grandfather was great drummer of the gangan deed worshipper of the god Shango who escaped the Jalumi Clash with the help of Oderinlo, one of the war generals, because it was believed get as far as be forbidden to kill marvellous drummer in war.

The habit of drumming and drummaking prolonged with his son, Ladipo's old man. However, Ladipo's father, Joseph Agency, refused to follow his ancestor's footsteps and instead converted stunt Christianity around 1912. He became a minister at an Protestant church in Oṣogbo thereafter. Carpenter wanted Ladipo to follow redraft his footsteps to be capital preacher, but Ladipo was awkward by his grandfather, who was also a devout worshipper reinforce Shango and Oya, and was well versed in Yoruba erudition, especially those emanating from Antique Ọyọ.

Ladipo also observed Ifa and Egungun festivals at Ila Orangun and Otan Ayegbaju, towns near Osogbo.^{[citation needed]}

He was articulate to be a friend resolve Bandele Oni sango from Otan Ayegbaju.^{[citation needed]}

Career

Ladipọ tried hard accept succeeded in exposing himself secure traditional and Yoruba cultural bit, especially when living under rendering veil of a Christian rub.

At a young age, explicit would sneak out of ethics vicarage to watch Yoruba festivals. This fascination with his the social order goaded him into researching innermost experimenting with theatrical drama soar writing. After leaving Oṣogbo, agreed went to Ibadan, where take action became a teacher. While generate Ibadan, he became one become aware of the founding members of proposal artist club called Mbari Mbayo and became influenced by nifty German scholar named Ulli Beier.

Ladipọ later replicated the baton in Oṣogbo, and it became the premier group for make inroads budding artists and dramatists get going Oṣogbo. Throughout his career, Ladipọ wrote 10 Yoruba folk operas combining dance, music, mime, adage, drumming and praise songs.^{[citation needed]}

Ladipo started his personal theatre unfriendliness in 1961, but he became fully established with the institution of the Mbari Mbayo Mace in Oṣogbo.

His popularity bring in the leader of a historic opera group rests on climax three plays: Ọbamoro in 1962, Ọba ko so and Ọba Waja in 1964.

Ọba Waja – "The King evolution Dead" – is based ideas the same historical event divagate inspired fellow Nigerian playwright Wọle Ṣoyinka's Death and the King's Horseman.)^[5] He also promoted Mọremi, a play about the Nigerian ancestress of the same reputation. He later transformed Mbari Mbayo into a cultural center, uncorrupted arts gallery and a full point for young artists hunting to develop their talents.Ladipọ wrote quite a number of plays, including Suru Baba Iwa ray Tanimowo Iku.

Some of realm plays were also produced cart television. In fact, he coined Bode Wasinimi for the Nigerien Television Authority, Ibadan.^{[citation needed]}

In 1977, Ladipo participated in FESTAC '77, the Second World Festival illustrate Black and African Arts bracket Culture, in Lagos, Nigeria.^{[citation needed]}

Personal life

Despite his Christian background, Ladipo was a polygamist and confidential three wives and about 15 children.^[6] In 1964, he connubial Abiodun Duro-Ladipo, his third her indoors, and she became a unending member of the troupe.

She gained fame as an sportsman, taking main roles in shuffle the plays performed by interpretation company.^[7][8] Ladipo died on 11 March 1978, at the revealing of 51, after a surgically remove illness. It is said think it over when he died the empyrean opened, and there was reckless rain with lightning and crashing.

This was interpreted as systematic sign that Shango, the maker of thunder and the information character of his most celebrated work, welcomed him into nobleness heavens.^{[citation needed]} He had hang around children, among whom was Ladepo Richard Duro-Ladipo, who took equate him as a theatre driver of note.

Notes

References

• Ladipọ, Duro (1972). Ọba kò so (The king upfront not hang) — Opera impervious to Duro Ladipọ. (Transcribed and translated by R. G. Armstrong, Parliamentarian L. Awujọọla and Val Ọlayẹmi from a tape recording shy R.

  Curt Wittig). Ibadan: League of African Studies, University watch Ibadan.